Publication Announcements
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"Content Providers of the World Unite! The Cultural Politics of
Globalization"
Special Theme Issue: #8 (Fall 2002), edited by Susie O'Brien and Imre
Szeman
Depending on which accounts of globalization one reads, culture is either
at the center of the new global economy, or it has been totally eclipsed
by it. Cultural objects and practices now appear as absolutely
constitutive of economic, political, and social practices, yet as culture
becomes reduced to mass culture on an intensified, global scale, the
liberatory and resistant impulses once associated with it seem to have
been fatally diminished.
The term "content providers" captures the paradoxical position of culture
in globalization. In the new global economy, culture has become
"content," and cultural workers and critics have become "content
providers" whose work is more essential to the operations of the economy
than ever before, but only as content that does nothing to challenge the
structure or form of the new world order. The papers in this issue
address the challenges that globalization poses for an adequate
understanding of cultural politics and the politics of culture today.
For more information about Topia, visit <http://www.utpjournals.com/topia>
or email topia.yorku.ca.
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Blackbird, an online journal of literature and the arts, has
launched its inaugural issue, featuring two Pulitzer
Prize winners, a National Book Award winner, and a PEN/Faulkner
finalist. Blackbird is a joint partnership between the English
Department
of Virginia Commonwealth University and New Virginia Review, Inc., a
nonprofit Richmond literary arts organization. Literary editors are
Mary Flinn and Creative Writing professors Gregory Donovan and William
Tester.
The magazine offers its readers both streaming audio and video to
supplement the writing it presents, and the semi-monthly addition of
individual "Features" will illuminate the content of the core journal.
In the future, Blackbird will appear twice each year, on May
1 and
November 1. The journal publishes poetry, prose, and interdisciplinary
essays. The first issue includes some of VCU's finest, including School
of the Arts Research Professor in Sculpture Elizabeth King, who provides
an essay on the history of automata (robots), MFA program alumnus John
Hoppenthaler, who contributes a poem from a forthcoming book, and Art
professor emeritus Richard Carlyon, who opens the "Gallery" section of
the journal with his video "Flight Song." A streaming media play for four
voices by New York playwright
Romulus Linney will be available for site visitors to read and hear acted
by some of Richmond's finest actors. A "Links" section provides avenues
for travel to other arts venues, literary journals, and related sites.
The "Features" planned for the first issue include interviews and
readings from Margaret Gibson, Eleanor Ross Taylor, George Garrett, and
Henry Taylor. In an e-mail discussion, editor Gregory Donovan invites
Beckian Fritz Goldberg to explain her shift to prose poems.
Blackbird and New Virginia Review, Inc. are made possible in
part by the
Virginia Commission for the Arts, which is supported by the National
Endowment for the Arts, and by the Richmond Arts and Cultural Consortium,
which is supported by the City of Richmond and the Counties of Henrico
and Hanover.
Visit Blackbird at <http://www.blackbird.vcu.edu>
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Year Zero One announces the launch of
Issue #10, the tenth edition of our
forum for dialogue about contemporary art practice and digital culture
through on-line critical reviews, essays, interviews, and news.
Featured in the current issue are the following items:
TEXT FM: Open Broadcasting System--An interview with Graham Harwood and Matt
Fuller Michelle Kasprzak
FRAMING THE 20TH CENTURY--From Soviet Man to Dolly the Sheep; some thoughts on the Cyborg Shadow
Gillian McIver
PROGRAMMING AS POETRY--A few brief musings on Antiorp, Kurzweil, and Stallman
David Johnston
IN PRAISE OF AUSTRALIA--A report from Australia traces aspects of new
media culture across the continent
Nina Czegledy
THEATRUM MUNDI: Honey I Still Love You--Recent site-specific performance in
Amsterdam Moritz Gaede
RACE IN SPACE--Reflections on race as "otherness" in digital space
Camille Turner
Year Zero One is an on-line artist-run center which operates as a network
for the dissemination of digital culture and new media through web-based
exhibitions, an extensive media arts directory, and the YEAR01 Forum--an electronic art journal.
Visit YEAR ZERO ONE at <http://www.year01.com>.
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Announcing the launch of the fourth issue of Organdi
Quarterly, titled "Can We Still Talk about
Art?", with contributions in English and French by
Stanley Bulbach, Jean Catoire, Nicolas Bacri, Nicolas
Robert, Rimy Oudghiri, Ellen Gorman, Brian D. Crawford
and Malte Schophaus, Edem Awumey and Anton Karl
Kozlovic.
The issue may be accessed at <http://www.geocities.com/organdi_revue>.
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Beyond Webcams: An Introduction to Online Robots
Edited by Ken Goldberg and Roland Siegwart
MIT Press; 346 pages.
ISBN 0-262-07225-4 (cloth)
Remote-controlled robots were first developed in the 1940s to handle
radioactive materials. Trained experts now use them to explore deep in sea
and space, to defuse bombs, and to clean up hazardous spills. Today robots
can be controlled by anyone on the Internet. Such robots include cameras that
not only allow us to look, but also go beyond Webcams: they enable us to
control the telerobots' movements and actions.
This book summarizes the state of the art in Internet telerobots. It includes
robots that navigate undersea, drive on Mars, visit museums, float in blimps,
handle protein crystals, paint pictures, and hold human hands. The book
describes eighteen systems, showing how they were designed, how they function
online, and the engineering challenges they meet.
Ken Goldberg is Associate Professor of Industrial Engineering and Operations
Research and of Electrical Engineering and Computer Science at the University
of California, Berkeley. He is the editor of The Robot in the Garden
(MIT
P, 2000). Roland Siegwart is Professor at the Swiss Federal Institute of
Technology in Lausanne.
For more information, please visit <http://mitpress.mit.edu/0262072254/>
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