-----------------------------------------------------------------
     Notes on
     Contributors
     
     Volume 9, Number 2
     January, 1999
     -----------------------------------------------------------------

     Jason Camlot

     Jason Camlot is a poet and essayist whose works have appeared,
     most recently, in Rampike Magazine, sub-Terrain, and Poetry
     Nation: The North American Anthology of Fusion Poetry (Vehicule).
     He received his Ph.D. in English from Stanford University where
     he is presently a lecturer in Victorian literature and Culture.


     Patrick J. Cook

     Patrick Cook is Associate Professor of English at George
     Washington University. He is the author of Milton, Spenser and
     the Epic Tradition and of numerous articles and reviews on
     Renaissance and Medieval literature and modern culture. He is
     currently writing a book on the semiotics of Jacobean drama.


     François Debrix

     François Debrix is Assistant Professor of International Relations
     at Florida International University. He is the author of
     Re-envisioning Peacekeeping: Simulation, the UN, and the
     Mobilization of Ideology (Minneapolis: University of Minnesota
     Press, forthcoming 1999). He has published his research in
     various critical political theory and international relations
     journals including Philosophy and Social Criticism, Alternatives,
     C-Theory, and Third World Quarterly.


     Terry Harpold

     Terry Harpold is an Assistant Professor of Literature,
     Communication, and Culture at the Georgia Institute of
     Technology, where he teaches courses in digital and postmodern
     culture and new media design and production. He is currently
     completing a book-length study of psychoanalytic theory and
     digital aesthetics, to be published by the University of Michigan
     Press.


     Steven Helmling

     Steven Helmling is Associate Professor of English at the
     University of Delaware. His first book, The Esoteric Comedies of
     Carlyle, Newman, and Yeats, appeared from Cambridge University
     Press in 1988. He has published widely on 19th and 20th Century
     literature and culture, and is currently circulating a book
     manuscript on Fredric Jameson.


     Cynthia Hogue

     Cynthia Hogue has published two collections of poetry, most
     recently The Woman in Red, and a critical book on American
     women's poetry entitled Scheming Women: Poetry, Privilege, and
     the Politics of Subjectivity (SUNY, 1995). A third collection,
     The Never Wife, has won the Mammoth Press Book Contest, and will
     be published in 1999. She is working on a second critical book on
     postmodern women poets entitled The Plucked String. She directs
     the Stadler Center for Poetry at Bucknell University, where she
     is an Associate Professor of English.


     Robert Miklitsch

     Robert Miklitsch teaches critical theory and cultural and media
     studies in the English Department at Ohio University. He is the
     author, most recently, of From Hegel to Madonna: Towards a
     "General Economy" of Commodity Fetishism (1998) and editor of a
     special issue of South Atlantic Quarterly called Psycho-Marxism:
     Marxism and Psychoanalysis Late in the Twentieth Century (Spring
     1998).


     Lee Morrissey

     Lee Morrissey is an Assistant Professor of English in the College
     of Architecture, Arts, and Humanities at Clemson University. His
     book, From the Temple to the Castle: An Architectural History of
     English Literature, 1660-1760, will be published this fall.


     Adele Parker

     Adele Parker completed a Master's degree in Comparative
     Literature at SUNY Binghamton, as well as a Certificate in
     Translation, and will begin work elsewhere on a Ph.D. in French &
     Francophone Studies in September, 1999. Forthcoming publications
     include a translation of an Etienne Balibar essay and an excerpt
     from a team translation of Cixous's Or.


     Bruce Robbins

     Bruce Robbins teaches English and Comparative Literature at
     Rutgers. He is the co-editor of Cosmopolitics: Thinking and
     Feeling Beyond the Nation (Minnesota UP, 1998) and the author of
     Feeling Global: Internationalism in Distress, due out in January
     from NYU Press. In 1998/99 he is co-director of the Center for
     the Critical Analysis of Contemporary Culture. The present essay
     is part of a book project on upward mobility stories.


     Paula Willoquet-Maricondi

     Paula Willoquet-Maricondi is completing a doctorate in
     Comparative Literature and Film Studies at Indiana University.
     Her doctoral dissertation examines Peter Greenaway's works--his
     films, paintings, installations, and operas--from a postmodern
     and ecocritical perspective. Her publications include studies on
     Peter Greenaway, Jean-Luc Godard, Federico Fellini, Alain
     Resnais, Alain Robbe-Grillet, Stanley Kubrick, Albert Camus, and
     Aimé Césaire.


     -----------------------------------------------------------------

     CONTENTS OF THIS ISSUE ARE AVAILABLE FREE OF CHARGE UNTIL RELEASE
     OF THE NEXT ISSUE. A TEXT-ONLY ARCHIVE OF THE JOURNAL IS ALSO
     AVAILABLE FREE OF CHARGE. FOR FULL HYPERTEXT ACCESS TO BACK
     ISSUES, SEARCH UTILITIES, AND OTHER VALUABLE FEATURES, YOU OR
     YOUR INSTITUTION MAY SUBSCRIBE TO PROJECT MUSE, THE ON-LINE
     JOURNALS PROJECT OF THE JOHNS HOPKINS UNIVERSITY PRESS.

     -----------------------------------------------------------------